by Maggie Yang
Exocarps
You stare at your face
on the green card, more wrinkled
than your veins, name shedded
into frames. Speckled with stars &
picket fences. The window blurs
your eyes as you sit on the plastic
seat, more warmth outside than
in your hands, as you fumble over
a coin, unaccepted currency.
The map on the wall of the bus
is turned horizontal, the city
squashed into a line where each
destination lights up as the wheels
screech. Except the light
is broken, constantly flashing
at an avenue you
long left. The man sitting across
from you devours a beer bottle
with his eyes and the woman beside
you eyes a poster plastering
the ceiling, the color of immigration
eroded on your face. Your hands
become a stranger, a preservation
of your memories. The first time
you sat on your own seat in transportation
you had only a clothbound bag
of illiterate lifelines, surrounding
this silhouetted world, shadows
like boundary lines
drawn with a wall, colored
in shapes. A crumpled flyer
under your feet as you pick up
the wet poster and see
your reflection in the mud.
Maggie Yang is a writer and artist from British Columbia, Canada. Her poetry has been recognized by the Poetry Society, The League of Canadian Poets, and appears or is forthcoming in Ghost City Review, Split Rock Review, Eastern Iowa Review, among others. Her art appears in The Adroit Journal.