First Words

Issue 35 (Fall 2024)

In Hanif Abdurraqib’s interview from issue 34, he talked about writing that feels new, about how exciting it is to write something that feels like the first time. That got us thinking about how exciting it is to read something that feels like a first, how exciting it is to learn an author’s obsessions, their loves and their losses, their ideas that carry that special energy and intensity of discovery. It is an intimate thing to share something new with a perfect stranger and the contributors to this issue offered us all kinds of intimacy, while also exploring and extending the boundaries of form, lyricism and storytelling. Shared firsts have a way of letting us know a person better, and their vulnerability has a way of letting us know ourselves more wholly. We hope that in sharing these firsts with you, dear reader, you might find something you didn’t know before.

– Travis Cohen, Editor-in-Chief

Firstborn of Kepler-452B

by Jefferson Thomas Firstborn of Kepler-452B Tahlia gave birth in the pilot’s chair, with a blanket for a smock, and the botanist for a midwife. Her skin was…

Fire Escape

by Toni Artuso Fire Escape A siren blares like a guilty conscience. It must be a false alarm. But the wailing continues. Above it, you hear lodgers, disturbed,…

Forks

by Scott Nadelson Forks There were two sets in the drawer. One had long tines, a curved back attached to a smooth neck, a subtle etched floral pattern…

Shadows On the Wall

by Alec Kissoondyal Shadows On the Wall “I’m never drinking again,” Sara says, her head in the toilet. Her voice echoes off the inside of the bowl. “Never,…

Leaving Home

by Richard Moriarty Leaving Home It’s early August in eastern Kansas, bright and quiet on the morning Charlie leaves home. Told no one he’s heading for college. Right…

The Couple at the End of the World

by Mellissa Sojourner  The Couple at the End of the World When they tell the story of their initial encounter to some newly acquired friends, they spend at…

Removing the Watermark

by Jessica Hincapié Removing The Watermark At the beginning of every booksomeone always telling youthat they have taken liberties with plot. List of wrong names, puzzled numbershanded to…

Buzzard

by Jaycee Billington Buzzard The language of buzzards     is a slow cursive:lazy, looping, skating cumulo     nimbus vowelsand tilted Ts, a round glide     that mimics the curveof bald heads. It’s not messy,     this…

Every Sex Party is Home to a Prophet

by Daniel Brennan Every Sex Party is Home to a Prophet We peel back the black lacquereddoor like the scab from a blister.         Taste the spoiled heat escaping,        that…

Inheritance

by Lindsay Stewart Inheritance                                                                           * A mountain lion sounds like                                                        a woman screaming                                 * He taught us how to use a gunwhen we were ten, the same yearwe…

State of Emergency

by Onna Solomon State of Emergency The dream woman chases herempty car down the hillShe is me and I amwatching herfrom my own car When I reach her…

Little Quaint House

by Grant Chemidlin Little Quaint House outside, but stepping in, the walls were adorned with naked men. Stretched, voluptuous, leather-bound & gagged, tasteful, but for my still-closeted eyes—the silver glint…

Stunt Girl

by Lindsay Stewart Stunt girl1                                                                              I practiced insanity in the mirror to satisfythe hundreds, said my own name aloud untilit lost all meaning. Nellie, Nell-ie, Nellie.How will you…

BearTrail

by Robert Eric Shoemaker BearTrail          for Stephanie Michele As the great bear criesstarshine, starshinedip one foot in the lake to test itwhile I take off my shirt, pants, shoes.Turn…

Journal of Training and Competition

by Asya Graf Journal of Training and Competition 1. 50 Years Since Great October I’m on the floor of my parents’ living room, among piles of Soviet black…

Hope Is the Thing with Seeds

by Whitney Schmidt Hope Is the Thing with Seeds Under my heart a vast apple tree grows wild—sprawling crook-limbed, teeming with green, tough and stout from trunk to…

A Case for More Stuff

by Caroline Mahala A Case for More Stuff I watched my friend, and one of six co-signers for this little unit, try to angle his surfboard over the…

Arms Full

by Angela Townsend Arms Full To the naked eye, my mother did not appear to be a bodybuilder. Fellow patrons of Thrall Library saw a dancer in Reeboks…

The Selkie Agrees to an Interview

by Catherine Broadwall The Selkie Agrees to an Interview When you came onto land in woman form, just what were you hoping to do? The moon was as…

Mending with Milkweed

by Amanda Russell Mending with Milkweed (a documentary-style poem in 10 parts)  1.A mermaid dolldropped in an empty driveway— sightless eyes turned to the cloudless sky.        When will…

Borikén, 1955

by Eneida Alcalde Borikén, 1955 En la finca at the center of the world, we meet you in your opening chapters curly haired, round-eyed Boricua stretching awake before…

Ursa Major

by Robert Eric Shoemaker Poet/Artist Robert Eric Shoemaker (he/him) is a poet, translator, and interdisciplinary artist. He is the author of three books: Ca’Venezia (Partial Press, 2021), an artist’s book of…


Editing Staff for Issue 35:

Faculty Advisor: Denise Duhamel

Editor-in-Chief: Travis Cohen

Assistant Managing Editor: Michael Cuervo

Fiction Editor: Natalia Martinez

Poetry Editor: Ellie Gomero

Creative Nonfiction Editor: Griffin Cornwell

Hybrid Editor: Kamila Izquierdo

Readers: Brittney Acosta, Bryane Alfonso, Brittany Crosse, Cayla Garman, Zachary Granat, Ericka Hodge, Charlotte Kaplan, Carlos Martin, Michael Rojas, Yvonne Sadinsky, Sophia Tirado, Kevin Triana, Matthew Young 


Cover Artist Shae Meyer was born in the shadows of the Rocky Mountains in Boulder CO. After moving to New York City he began working in studios producing large scale paintings for artists there, while developing his own processes. He now resides in Troy, NY where he paints, and grows plants.