by Daniel Brennan

Every Sex Party is Home to a Prophet
We peel back the black lacquered
door like the scab from a blister.
Taste the spoiled heat escaping,
that thick cloud of steam
as it rises from
the iron stairwell. Everyone comes
and no one goes. I learn new names for myself
each time. A friend of mine
is pinned against a wall
toward the back. I can’t hear
his throated song over the throb
of music, plodding hump of bass,
but I watch as
a stranger’s hand makes quick work
below the belt.
Familiar shapes decorate the room,
seizing full fists of fumbled dirty talk,
each word an apple-red ball gag
snagged between their lips.
This place becomes cathedral, holy site
to the communion of manhood.
Under these low lights,
I accept the bread made body,
and will breed any body,
any man
who will make me more immaculate.
Everywhere I look, these martyrs:
their tongues rapt between my teeth,
within my dreams, in the backsplash
of memory. I will them to be the men
I imagined in the corners
of my dorm-room fantasies, and when that wasn’t enough,
the men who’s front seats
were a palm spread open to hold
falling rain, palm spread to punish me,
or the men who pinned my arms
behind my back for the first time,
and the second time, and every time
after. The men with past lives, or the men
with wives at home, the men
who would answer Craigslist postings
with a keen and expedient hunger;
sharp teeth. A devil’s teeth. Nothing but teeth.
The men who made me
a martyr myself: see my body now, tied
and bound, the plumage of an arrow protruding
from my ribcage. What scripture plunges
us into these black back rooms?
Were we never taught the best ways
to suffer for our creed, our divine art?
Taught that wanting and hurting
are the same burning bush,
the same terrifying miracle?
There is a man strapped to a leather cross
just past the bar. His tears accumulate
with the dust along the floor. He begs
someone to strike him, make him
repent for the horrors still held
inside him. No one acts; the few men
focused enough to notice his kink prefer
he suffer in silence. But when the black hood
goes over his head, I could crawl on my hands
and knees. I could run my tongue
across his calloused feet, a messiah
washing the most liable of sinners.
Is that what would save me?
Redemption comes in our vanity
says a man with stars strung in constellation
across his collarbone. He measures his next dose
when his alarm rings, and with a tightening throat
gives into desire, the blunt force of its fever.
Every God in history has demanded
some form of sacrifice, be it
livestock, children, whole cities and nations. Why
should we be any different tonight?
Why should we escape the burden of choice?
My eyes – shut fire curtains,
muscle tightening against the pain.
The pain. The pain. The pain
that can erase all the ways I’ve lived before now.
We do what we must to reclaim the
sacredness of our flesh, these blooming apertures;
feel what was stolen from us
in those years where we went tongueless,
nameless, our stomachs but a nest
for future carnality. In the club’s bathroom I hear
the shower of piss striking a metal trough,
I hear a man drink this blessed wine in gasps
before a chorus of saints, I hear a hand slam
against a stall door, I hear the echo of one
body betraying another, hear
the gutted prayers and the groan
of my own pearly gates, open wide
for this midnight redeemer.
There is no past here, which must mean
there is no future, only the many flushed faces of now.
A hand around my throat.
I must take what I’m given.
With enough pressure,
I become a prophet for those who will listen:
men huddled in their corners, watching
as my flesh cathedrals for another.
Well after midnight, I see him:
a ghost from years before,
neither of us able to look each other in the eye.
Even if we’ve pulled
each other apart; even if our
shared entrails have been offered
to the ease of a squealing king bed;
even if my fingers have filled
his mouth and begged him to
scream out a name, any name,
we don’t say a word
as we collide in the dark.
No, perhaps we do not need words
to give name to our savior’s bounties;
isn’t that what faith is, after all?
The crash of our limbs, the rush
of believing we’ll find this Edenous pleasure
night after night, so long as the city remains.
Who am I, pillar of flesh, vessel
of sweat and salt, to deny such a faith?
Poet Daniel Brennan (he/him) is a queer writer and coffee devotee from New York. Sometimes he’s in love, just as often he’s not. His poetry has been nominated for the Pushcart Prize/Best of the Net, and has appeared in numerous publications, including The Penn Review, Sho Poetry Journal, and Trampset. For more of his work, follow him on Instagram @danieljbrennan_.
Artist Adeline Jackson is a painter and writer at the University of Southern California. At the age of 22, Jackson embarked on a journey to encapsulate the ineffable beauty and complexity of the human experience.
